Jim Seals and Dash Crofts may be ideal known for the job-related they've released under their last names, but the duo first played together in such bands as Dean Beard and also the Crew Cuts, the Champs (however not till after 'Tequila' was a hit), Glen Campbell and also the GCs (yes, that Glen Campbell) and the Dawnbreakers. In 1969, Seals and Crofts determined to go on their own and released their self-titled debut album that year. While mostly taken into consideration less rock than adult modern, the duo nonetheless invested the ‘70s racking up numerous considerable chart successes. These are the height 10 Seals and also Crofts songs.

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Seals and Crofts tfinish to compose or co-compose their own product, however a noteworthy exception in their discography is the soundtrack to 'One on One,' a 1977 basketsphere drama starring Robby Benkid and Annette O’Toole. Setting their songwriting skills aside, the duo provide the vocals to a repertoire of songs composed by Charles Fox and also Paul Williams, earning a Top 30 hit through the single 'My Fair Share.' But much even more memorable is this bubbly Simon & Garfunkel-sounding song that name-checks the Fight It Out while additionally bringing up a renowned Hollylumber hoofer: “Do I feel that I’ll prove a complement to this world? / Does Gene Kelly sing in the rain?


Seals and Crofts when dubbed their pre-Warner Bros. product “wandering troubadour music,” but their initially two albums for TA Records offer echoes of the pop sound they took to the charts a few years later on. ‘Hollow Reed,’ which appeared on the duo’s second album, is among a number of Seals and also Crofts songs that contains recommendations to the Baha'i faith (both singers are followers), borrowing a line attributed to Abdu'l-Baha: “Make me a hollow reed from which the pith of self hath been blown, so that I may come to be a clear channel via which thy love might flow to others.” Even though it was never released as a solitary, the song received brand-new life as soon as Crofts revisited it for his 1998 solo album ‘Today.’


The last album the duo would document till 2004’s ‘Traces’ consists of 10 songs, nine of them co-created by Seals and also none credited to Crofts. The one song Seal didn't have a hand in proved to be one of the bounciest. Penned by Michael Sembello (who would certainly later on score the No. 1 'Maniac' on his own) and also Marietta Waters (that contributed to the soundtracks of ‘Top Gun,’ ‘Perfect’ and also other movies), ‘If and Any Day’ features a silky-smooth verse, an insidiously catchy chorus and also a spiroutine lyric that proclaims, “Love is for the ones who believe in one on one / Truth is for the ones that think there's more to come.”


Seals and Crofts might not be remembered for their political statements, however in February 1974, a tiny more than a year after the U.S. Supreme Court made its landmark Roe v. Wade decision, the duo regulated to raise some eyebrows via ‘Unborn Child,’ the first single and title track from their latest album. Taking a pro-life message onto the pop charts was a decidedly bold relocate, but while Seals and Crofts’ fan base was comprehensive enough to earn the track airplay in particular parts of the nation, its controversial topic brought about restricted success, with the song stalling at No. 66 before sinking fast. ‘Unborn Child’ didn’t make the reduced for the duo’s greatest-hits arsenal, yet its lyrical content and also bombastic setup have assisted make it a fan favorite.


Like other artists of the era, Seals and Crofts integrated a little of disco right into their sound, providing in to the groove in order to fit their product more seamlessly on radio. Even though they controlled to pull a hit out of ‘You’re the Love,’ the initially single from their 1978 album, ‘Takin’ It Easy,’ the song sounded prefer nopoint else bordering it, leaving the duo without an ideal follow-up single. (They threw caution to the wind and chose to take a shot with the title track, which just made it to No. 79.) Crofts later on admitted that the song was "too disco," but the chorus stays as catchy as ever.


Building on the success of ‘Summer Breeze’ (check out No.1 on our list of the Top 10 Seals and Crofts Songs), the duo's 1973 album adhered to in the footsteps of its predecessor by properly transcreating the title track into a hit single. The jazz-affected ‘Diamond Girl’ was another Top 10 hit, catapulting the album to No. 4 and also making it their most successful LP. For better or worse, the document additionally signaled the finish of Seals and Crofts’ acoustic sound and the begin of the more band-oriented method of the later on years. The hits kept coming, but longtime fans complained around the huge commercial success.


The title track of Seals & Crofts’ 1976 album ‘Get Closer’ may have been a bigger hit (it reached No. 6), yet the song that opens up the document has a far even more considerable heritage. Written by Seals, ‘Sweet Green Fields’ was first taped by the Knickerbockers on their 1967 dehowever album ‘Lloyd Thaxton Presents …The Knickerbockers,’ but it completed higher fame when it was sampled in Busta Rhymes’ ‘Put Your Hands Wbelow My Eyes Can See' and also included right into Mary J. Blige’s ‘Press On.’ You never before have the right to tell who’s been listening to Seals and also Crofts.


After the success of 'Diamond Girl''s title track (check out No. 4 on our list of the Top 10 Seals and also Crofts Songs), the duo complied with up via a song that adhered to a comparable lyrical threview to the title track of their 1971 LP ‘Year of Sunday.’ Another paeans to the Ba'hai confidence, 'We May Never Pass This Way (Again)' was less overt in its religious overtones, coming across as merely thoughtful with lines like, “Life, so they say, is but a game and also we let it slip ameans / Love, choose the Autumn sunlight, should be dyin' but it's just just begun.” Although it didn't crack the Top 20 of the pop chart, 'We May Never before Pass This Way (Again)' confirmed nearly unstoppable on adult-modern radio, climbing all the means to No. 2.

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After struggling for several years, Seals and also Crofts were prepared for superstardom once their 1972 album 'Summer Breeze' and also its title track took them to the following level. Covered by everyone from the Ray Conniff Singers to Type O Negative, 'Summer Breeze' endured the ‘70s to come to be among the all-time excellent light-rock singles and continues to be Seals and Crofts’ signature song to today.